The exhibition ‘Off the Wall’ was held on-board HQS Wellington, which is docked at Victoria Embankment, London.

The show was staged aboard the HQS Wellington (a 1933 sloop which had been commanded across the Atlantic and Pacific, is permanently moored on the Thames at Victoria Embankment, opposite Temple Tube station. 

“Off The Wall” was a trans-platform art exhibition which floated on the Thames, with works by artists emerging from across London's art colleges. It also featured an extraordinary installation “Another Day Lost” by UK-based, Syrian artist. which addressed the refugee crisis evoking a refugee camp made from waste and ‘found’ materials. The composition which was spread across the top deck was delineated by a 'fence' of ‘swan vesta’ matches, one of which is added for each day of the exhibition.

‘Off The Wall’ presented emerging artists drawn from London art colleges. It was a mixed exhibition of paintings, sculpture, photography, drawing, installations and video complimented by a programme of performances and contributions from other established performance artists.

 London once established its connections with the globe from the gateway of its river Thames. It is now the world's epicenter of counter-culture, and not least, home to many of the world's most prestigious Academies of art. Inevitably the city is nurturing key members of the next generation, who originate from three continents over both hemispheres, that will shape our understanding of visual, sound and performative arts globally. Off The Wall selectively sampled the surging seas of talent at work in the city to bring a spectrum from across that emerging generation back to the river.

The artists in Off The Wall were not bound by a single theme or thread, but freely drew on their individually diverse vision, interpretation and aspirations which range from the provocative to contemplative, from representational to abstract, and from the spatiality of sculpture to the ephemeral power of performance.

 The HQS Wellington determined that no work was hung directly onto the walls. Thus the artists works addressed this as a spatial challenge within physical constraint by commandeering stairs, floors, furniture, and the spaces in between.